I
suppose it could be argued that each time I blog or write a project update is a moment’s candor on my part. But
this feels somehow different, so I’m going to just go with it.
I
recorded my next to last lead vocal this week, and it was probably the most
profound of the experiences I’ve had singing for this record so far. The beauty
of it was that it was completely unexpected.
This
thing artists and writers do, when I stop and think about it for a moment,
seems part magic and part madness. To create something out of thin air is one
thing, but to allow something to emerge through
you is another. It requires complete surrender, getting out of the way, dropping
the baggage.
What we do is about emotion laid bare. Let me tell you about my deepest heartache,
greatest joy, biggest fear, wildest dreams. Let me be exposed and vulnerable,
showing you my weakness, while at the same time exhibiting an extraordinary
amount of strength and bravery by doing so.
When
left to our own devices and highest calling, this is what my fellow singer/songwriters
and I do. We share the human experience and give it meaning in the way that
only each one of us can. And it is a privilege to get to do so. Sometimes we
forget that.
So
I got to the studio on Monday, thinking I would be singing “No End to Love”
just like I had been doing since I wrote it with my Nashville co-writer, Fred a
number of years ago – straight forward and big.
This
is the song on the record that’s been in existence the longest, the one I never
recorded myself, one that had been on hold for at least half a dozen artists,
including Faith Hill, Dolly Parton and Kenny Rogers. (None of whom cut it, by
the way – which is why I’m sure a lot of writers take up drinking, but not me.
I prefer to bury my disappointments in sarcasm, peppered with a dash of irony.
Also, ice cream. Ice cream works well for me.)
Where
was I? Oh yeah, so as we were listening down to the track, I was singing along
softly to it. Tanya (my producer, for those of you just joining these festivities
now) realized that something special was happening. She ran and moved the mic
and everything else over to where I was sitting,
and I recorded the vocal right then and there. Quietly. Intimately. In the
moment. As the private conversation you will all be privy to when the record is
done and out.
Lyrics
take on different meaning at different moments in our lives. If we’re lucky,
that meaning deepens with the passage of time, like it did for me in this instance.
And
I suppose that, just as surrender is necessary to allow for something bigger to emerge
through us, surrender is also necessary to allow for it to travel where it is intended
to go.
As
this project continues on its path toward conclusion, I am in constant
gratitude for the experience, for the chance to share that experience in all
its different facets with you as it progresses, and for the immense joy it is
to do what I love doing most.
Thanks
for stopping by and for hanging in there with me. Please tell your friends.
Peace
& Blessings (and hugs and kisses),
Ilene
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