I
can take pretty much anything and make it a metaphor for life.
It
started with ballroom dancing in my twenties, when I realized that how I danced
was a perfect metaphor for how I lived life, and I longed to do it with greater
abandon…and a lot of sequins.
From
time to time, these kind of parallels have popped into my little noggin, but
most recently it’s happened while working with my band, The Inspire Project,
and trying to find street parking in New York City.
My
band is getting ready to record a six-song EP, and in preparation for it, we
were working with our producer, crafting new arrangements to songs we’ve been
playing for a few years now.
I
play the keyboard on all but one song in our repertoire, and on that one I play
percussion.
To
the untrained eye, none of this sounds earth-shattering, but to my image of
myself, being in a band at all requires a shift in perception for me.
I’ve
spent a lifetime as a lone wolf. I’ve taken to the concert stage with the
company of a Steinway or a Bosendorfer, but never with a band, for God’s sake. That
requires a whole different mindset and skillset.
Somewhere
in all the rearranging, I started to realize that I was being tentative, and
even though practice would take care of most of that, the emotional piece was
mine to look at.
Here
comes that metaphor for life thing, again. Where else am I tentative? Can I
adapt to something new or will I cower in my old, familiar corner of the room?
Can I embrace a new part or a different role? Can I step confidently forward
and leave tentative behind?
Nothing
is more attractive or appealing than authentic self-confidence.
For
the sake of the work that day, I decided to accept that I might be tentative in
the moment, but I would address that inner issue and deal with it before the
red “record” light goes on.
And
what about the percussion on that one song?
From
the moment I got to pick up a tambourine for the first time, I became as giddy
as the happiest child playing with a new toy on Christmas morning.
Why
this is, I still have no idea, but I can
tell you this: you can’t be tentative and play percussion, not even the
tambourine on one song. I mean you cannot physically play the part without
using your whole body and diving entirely in. There’s no dipping your toe to
test the water with percussion. It’s all in or nothing.
There
we were, reimagining a song’s arrangement, me with my trusty tambourine and
Lorraine, our regular percussionist, at the keyboard. And that’s when Everett,
our new producer, decided I should add shakers to the tambourine. So shakers in
one hand, tambourine in the other, and Ilene singing harmony, with a few new
parts thrown in for good measure.
There
was no time for me to talk myself out of doing it. I had no time to play the
tape inside my head that goes, “Jeeze, I have a hard enough time clapping on 2
and 4.” Nope. My left hand held the Latin shakers, my right, the tambourine and
off we went. And I did it. Well enough to know that it would be doable and I
would enjoy the hell out of it.
This
got me thinking about what else I talk myself out of that might be doable if I
wasn’t so afraid to try.
And
that brings me to the parking spot. I had a gig Sunday morning in New York
City, and I decided that this time, I was going to find street parking. This is
not an easy get on a Sunday morning, because no one wants to leave a coveted
spot that’s legal until Monday.
I
circled the same block three times, determined that I would find a space close
enough for me to drag my keyboard and stand by myself to said gig.
The
third time around, I decided I was going to “make” a spot out of one that
actually wasn’t big enough. New Yorkers understand this concept. It involves
parallel parking prowess, pissing off the person you’re parked too close to,
and fingers crossed that a cop doesn’t decide you are, in fact, too close to a
fire hydrant or partially eclipsing a driveway.
So
my third time around, I’m doing my fancy jockeying, when a man across the
stress starts waving his arms and yells to me, “There’s a big spot up there, go
get it!”
I
pull out of the one I was trying to make happen and pull right into a huge spot
waiting just for me. I thanked the man profusely and I was absolutely gleeful
as I schlepped my gear to the venue.
Again,
it got me thinking about life. How many times is the big, roomy spot waiting
just for me to take it? Could it be that what I want in life is waiting for me
to stop putzing around and go get it? Will I take my space, without apology or
apprehension? Could it be that the universe is saying yes to everything, but
I’m the one not going to get it when it’s right there?
What
am I denying myself because I’ve been unwilling to see myself differently, or
because I wouldn’t just go and seize what was waiting for me? What new life
might I have if I take the limits off the story I’ve been telling?
I
want to be untethered from my past. I want to allow for what is new and great
and fun. I want my response to be, “Of course, I can!”
I
want to take the big parking spot without hesitation and dive into the unknown
without reservation. I want to play the shakers AND the damn tambourine. And
you can bet I’ll be resurrecting those sequins again, too.
Thanks
for stopping by and spending some time with me. Please tell your friends.